Harvard University. Department of Music
Identifiers
- Open LibraryOL11690807A
Top Subjects
- History and criticism (26)
- Music (21)
- History (6)
- Music theory (5)
- 16th century (5)
- Italy (5)
- 17th century (4)
Books by Harvard University. Department of Music
Total count: 123
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Vocal illustrations in Music 3.1912-01-01
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Concerning interpretation1929-01-01
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Stravinsky's contribution to twentieth century musical style1937-01-01
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Studies in the development of the keyboard and ensemble ricercare from Willaert to Frescobaldi[s.n.]1942-01-01
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The principal agréments of the seventeenth and eighteenth centuriesa study in musical ornamentation1942-01-01
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The orchestration of Bach's vocal works1943-01-01
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The transition passage in sonata form movements of the Viennese classical periodwith special reference to the works of Haydn, Mozart, and Beethoven1947-01-01
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Syllabus for Music IHarvard university; the history of music from 300 A.D. to the present time4th ed.Harvard University1949-01-01
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Harmonic rhythm in 20th-century music1950-01-01
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The Compendium musices by Adrianus Petit Coclico1951-01-01
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A plan for an elementary course in the history of music1951-01-01
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The altered ordera study of the elements of form in the string quartets of Béla Bartók1951-01-01
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The motets of the early fifteenth century manuscript J.II.9. in the Biblioteca nazionale of Turin1952-01-01
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Order in timeaspects of tonality in five works of Franz Schubert: Quartet movement in C minor, Quartet in A minor, Quartet in D minor, Quartet in G major, Quintet in C major1952-01-01
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The piano sonatas of Franz Schubert1952-01-01
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The kettledrums in Western Europetheir history outside the orchestra1952-01-01
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A study of the Tenbury manuscripts of Johann Pachelbel1952-01-01
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Problems in the performance of J.S. Bach's Clavierübungpt. 1 : Dotted notes, inequality, tempo1952-01-01
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Gabriel Fauréaspects of his harmonic practice1953-01-01
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An Investigation of Vocality with special reference to the Mass for four voices by William Byrd1953-01-01
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Mendelssohn, a composer in English society1955-01-01
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Analysis of the Hunchback God songs from the Navaho Night Way ceremony1956-01-01
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The vocal music of Charles Ives1957-01-01
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Two hundred years of cadenza practice in the Mozart piano concerti1957-01-01
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An examination of ten motetsJosquin's and Palestrina's treatments of four plainsongs1957-01-01
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Musorgsky and his orchestratorsa comparison of the original and Rimsky-Korsakov orchestrations of Boris Godunov and of the Touschmalov, Leonardi, Ravel, and Cailliet orchestrations of Pictures at an Exposition1957-01-01
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The Byzantine elements in early Slavic chant1957-01-01
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Problems of rhythm and meter in the Brahms symphonies1958-01-01
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The Italian organ hymn from Cavazzoni to Arestia study of the interrelation of Roman plainchant and liturgical keyboard music in the sixteenth and seventeenth centuries1958-01-01
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The motets of Pierre de Manchicourt, ca.1510-15641959-01-01
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Italian music for the Ordinary of the Mass, 1300-14501960-01-01
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Musica mundanavariations on a Pythagorean theme1960-01-01
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The keyboard ricercar and fantasia in Italy, c.1500-1550with reference to parallel forms in European lute music of the same period1960-01-01
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Mozart's music for Thamos, König in Aegypten1960-01-01
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Handel's English anthems1960-01-01
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Musica theorica, 15291962-01-01
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Clément Marot and Claude de Sermisypoetry and music of the French chanson during the second quarter of the sixteenth century1962-01-01
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The In nomines of Christopher Tye1962-01-01
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The twentieth century passacagliaa study of form in neoclassicism1963-01-01
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The music of Charlie Parkeran introduction1963-01-01
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William Cornyshe, Juniorhis life and music1963-01-01
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Secular and sacred music of Walter Porter1963-01-01
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Thematic unity in the first movements of Haydn's London symphonies1963-01-01
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The handling of large-scale structure in the instrumental works of P.I. Tchaikovsky1963-01-01
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Hector Berlioz and the solo song in France1963-01-01
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The symphonies of G.B. Sammartini1963-01-01
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Don Severo Bonini (1582-1663), Florentine dilettante1964-01-01
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The French quodlibet and fricassée in the 15th and 16th centuries1964-01-01
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The church sonatas of Giovanni Legrenzi1964-01-01
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The Resurrection history of the sixteenth century1964-01-01
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Chopin's piano style1965-01-01
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The evolution of tonal thinking in the works of Claude Debussy1965-01-01
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A comparative study of books I and III of the Symphoniae sacrae of Heinrich Schütz1965-01-01
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A documentary history of the liturgical music at the German College in Rome1573-16741965-01-01
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Harmony in the early works of Alban Berg1965-01-01
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The changing role of lyricism in the symphonies of Gustav Mahler1965-01-01
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The music of Giovanni Battista Fontana1965-01-01
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The secular music of Richard Nicholson1965-01-01
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The symphonies of Muzio Clementi1965-01-01
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The hardanger fiddle and its musicsubmitted in partial fullfillment of the requirements for the degree master of arts at Harvard University1965-01-01
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Bartók in 19081965-01-01
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Beethoventhe sketchbook for 1802-18031966-01-01
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The round of Shakespeare's age in England and Scotlandthree collectors and their store, 1580-16121966-01-01
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Tonality and harmony in Stravinsky's Symphony in C.1966-01-01
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Festival music in Florence, ca. 1480--ca. 1520canti carnascialeschi, trionfi, and related forms1966-01-01
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The so-called John Sturt lute book1967-01-01
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The melodic use of kettledrums in Western music1967-01-01
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Our boysa study of a steelband in Tobago, W. I.1967-01-01
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The works of Stefan Wolpe1967-01-01
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Three points of Lutheran doctrine in vocal works of J.S. Bach1967-01-01
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The role of the cantus firmus in four masses by John Taverner1967-01-01
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Music among the z̄ũ' 'wa-si of South West Africa and Botswana1968-01-01
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An analysis of seven adagio and largo movements from the early piano sonatas of Beethoven1968-01-01
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Some polonaises of Wilhelm Friedemann Bacha question of authenticity1968-01-01
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ThéséeLully's tragédie lyrique for 16751968-01-01
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Weber's piano sonatasa consideration of stylistic elements in the first movements1969-01-01
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Discourse on the relevance of Tintern Abbeysupplementary remarks after the abovementioned composition1969-01-01
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The clash of Eastern and Western elements in Jewish liturgical musicwith special emphasis on the period from 1930 to the present which witnessed an increased awareness of the Semitic elements in Jewish music1969-01-01
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Shape and structurea study of Bartok's Hungarian folk-song settings for voice and piano1969-01-01
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The Vesper psalms and magnificats of Maurizio Cazzati (ca. 1620-1678)1969-01-01
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Tonal and formal developments in Mahler's Sixth symphony1970-01-01
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Aaron Copland's Twelve poems of Emily Dickinson1970-01-01
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Luca Marenzio's seventh book of five-part madrigals (1595)1970-01-01
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The beginnings of Baroque musicits roots in sixteenth century theory and polemicss. n.1970-01-01
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Cadence and continuitysome aspects of rhythmic theory with reference to the opening movement of Béla Bartók's Sonata for two pianos and percussion1971-01-01
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Musica ficta in the first half of the fifteenth century1971-01-01
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The repertory of tropes at Winchester1971-01-01
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The pavans of Daniel Bacheler1972-01-01
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The music of Herbert Fromman expression of contemporary Jewish thought1972-01-01
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The place of the piano concerto in the career of MozartVienna, 1782-861972-01-01
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The life and works of Francesco Maria Veracini1972-01-01
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The canzone villanesca alla Napolitanaand related Italian vocal part-music: 1537-15701972-01-01
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Responsory tropes1973-01-01
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The introits of the Old Roman Chant1973-01-01
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Musical sources of the Sung Dynasty (960-1279)1983-01-01
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Brahms' technique of motive development in his sonata in D minor opus 108 for piano and violin1984-01-01
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Affect and meaning in the funeral music of a South Indian tribeHarvard University, Dept. of Music1997-01-01
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Amy Beach's Mass in E♭, op. 5a study of its style and sources1997-01-01
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Nino Pirrotta (1908-1998) scholar and teacherspecial exhibit of the Eda Kuhn Loeb Music Library Harvard University Fall 19981998-01-01
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Organologya bibliographyWorking paper.1999-01-01
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"So What" and moreinteraction in the Miles Davis Quintet of 19642000-01-01
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Her highness' voiceMaria Antonia, music and culture at the Dresden court2002-01-01
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Surviving Salzburgrethinking the relationship of identity in operatic works2002-01-01
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Text-music relationships in the early songs of Arnold Schoenberg2005-01-01
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The WPA music programsconflicting claims concerning American identity, 1930-19432005-01-01
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SCRAWL, an optical music recognition system2005-01-01
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Tessellating the chromaticcombinatorial resources of pitch space2007-01-01
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Searing memory with the documentGerhard Richter's early photo-paintings and Steve Reich's "Different Trains"2010-01-01
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Shabbos with Shlomomusic, community, and charisma in the Carlebach Shul2010-01-01
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Pathways to Godthe Islamic acoustics of Turkish Berlin2014-01-01
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Black musics, African lives, and the national imagination in modern Israel2015-01-01
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Formphantasiencomposing the echoes of Adorno's musical thought today2015-01-01
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Correlational harmonic metricsbridging computational and human notions of musical harmony2015-01-01
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Hearing architecture, seeing musicthe common language of reinterpretation through deconstruction2015-01-01
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Toward a music of exegetic becoming and actualized work2015-01-01
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A computational model of music composition2015-01-01
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luz-twi-lightesotericism and mysticism in creative music2017-01-01
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Order out of chaosrandomized heuristics and their application to the harmonization problem2018-01-01
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Neural network-aided audio processing for automated vocal coaching2019-01-01
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"Weekend Cowboy"pop-up imperialism and American country music in Italy2019-01-01
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Yankee Doodlesthe music and politics of Charles IvesJacob Tilton2019-01-01
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Music to mice's earsa study of the claims for music preference in mice2019-01-01
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[Inventory with musical incipits, on cards, of British Library Manuscript Egerton 2046]