Contributions

  • Cohen, Rebeka - Contributor
  • Robins, Paul, photographer - Contributor
  • Deutsche Gesellschaft für Operations Research. Arbeitsgruppe Praxis der Linearen Optimierung - Contributor
  • Victoria and Albert Museum - Contributor
  • Victoria and Albert Museum. Photographic Studio - Contributor
and 1 more
  • Victoria and Albert Museum. V&A Publications - Contributor

Publication

2017 - V&A Publishing, England

Language

English

Word Count

76,000 words, Guess

Page Count

304 pages

Identifiers

and 2 more

Classifications

  • DDC782.1
  • LCCM
  • LCCML1700
and 1 more
  • LCCML1720 .O54 2017

Description

"Opera is traditionally regarded as an elitist art form far removed from reality by its fantastical pots and melodramatic divas. This book shows that beneath the opulent sets and sumptuous costumes, opera is very much a product of its time. Like all the great narrative arts, it draws on essential human experiences to create a form that can be endlessly reinvented to reflect a changing society.Focusing on seven opera premieres in seven distinct cultural landscapes, with additional essays by contemporary practitioners including Placido Domingo, Antonio Pappano and Simone Young, the book culminates in the international explosion of opera in the twentieth and twenty-first centuries. The seven operas and premieres are: Venice (Monteverdi's L'Incoranazione di Poppea, 1642); London (Handel's Rinaldo, 1711); Vienna (Mozart's Le Nozze di Figaro, 1786); Milan (Verdi's Nabucco, 1842); Paris (Wagner's Tannhauser, 1861); Dresden (Strauss' Salome, 1905) and St Petersburg (Shostakovich's Lady Macbeth of the Mtsensk District, 1934)" -- publisher's description.

Subjects

Reader Reviews

No reviews yet for this book.

Be the first to share your thoughts!