Vermeer and the masters of genre painting
inspiration and rivalry
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Contributions
- Musée du Louvre - Contributor
- National Gallery of Ireland - Contributor
- National Gallery of Art (U.S.) - Contributor
Publication
2017 - National Gallery of Ireland, Dublin, National Gall, Ireland
Language
English
Word Count
76,000 words, Guess
Page Count
304 pages
Identifiers
- ISBN-139780300229585
- ISBN-139780300229592
- ISBN-139780300222937
- ISBN-100300222939
- ISBN-100300229585
and 7 more
- ISBN-100300229593
- Library of Congress Control Number2016055757
- OCLC Control Number965753910
- Better World Books9780300222937
- Better World Books9780300229585
- Better World Books9780300229592
- Open LibraryOL27237281M
Classifications
- DDC754.09492
- LCCND1452.N43 V47 2017
- LCCND1452.N43
and 1 more
- LCCND1452.N43V47 2017
Description
"A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris"--
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