Modernisme
l'art abstrait belge et l'Europe
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Author
Contributions
- Museum voor Schone Kunsten (Ghent, Belgium) - Contributor
Publication
2013 - Museum voor Schone Kunsten, Gent, Belgium
Language
French
Word Count
85,750 words, Guess
Page Count
343 pages
Identifiers
- Open LibraryOL30959717M
- ISBN-139789462300019
- ISBN-109462300011
- OCLC Control Number828187363
- Library of Congress Control Number2013430150
Classifications
- LCCN6968.5.A2 M63 2013
Alternate Titles
- Art abstrait belge et l'Europe
Description
In this book, the Belgian historical avant-garde around 1920 is viewed for the first time from a broader European perspective. Not only did protagonists like Jules Schmalzigaug, Georges Vantongerloo and Marthe Donas establish an immediate link with Italian futurism, the 'Nieuwe Beelding' (or neoplasticism) and post-cubism, but in 1920 Karel Maes, Jozef Peeters and Victor Servranckx began to play a prominent role in European constructivism. The pursuit of a community art was not restricted to visual art, as evidenced by architecture and applied art, but also literature, music and the performing arts. Belgian photography and films were also a reflection of international modernism. In this book Belgium's earliest abstract artists are juxtaposed for the first time with like-minded foreign artists such as Fernand Léger, László Moholy-Nagy, Kurt Schwitters and Theo van Doesburg. Exhibition: Museum voor Schone Kunsten, Ghent, Belgium (2.3.-30.6.2013).
Subjects
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