Publication

2000-11-09 - Northeastern University Press

Language

English

Word Count

109,500 words, Guess

Page Count

438 pages

Physical Format

Paperback

Identifiers

  • Open LibraryOL8573977M
  • ISBN-139781555534691
  • ISBN-101555534694
  • OCLC Control Number44131858
  • Library of Congress Control Number00042727
and 2 more
  • Goodreads856144
  • LibraryThing562735

Classifications

  • LCCML420.C63 E67 2000b

Description

The first major biography of the great jazz pianist and singer, written with the full cooperation of his family When he died in 1965, at age forty-five, Nat King Cole was already a musical legend. As famous as Frank Sinatra, he had sold more records than anyone but Bing Crosby. Written with the narrative pacing of a novel, this absorbing biography traces Cole's rise to fame, from boy-wonder jazz genius to megastar in a racist society. Daniel Mark Epstein brings Cole and his times to vivid life: his precocious entrance onto the vibrant jazz scene of his hometown, Chicago; the creation of his trio and their rise to fame; the crossover success of such songs as "Straighten Up and Fly Right"; and his years as a pop singer and television star, the first African American to have his own show. Epstein examines Cole's insistence on changing society through his art rather than political activism, the romantic love story of Cole and Maria Ellington, and Cole's famous and influential image of calm, poise, and elegance, which concealed the personal turmoil and anxiety that undermined his health. **

Description

Depicts a multitalented musician who, whether contending with racism, with black leaders criticizing his lack of activism or with jazz critics who believed he had "sold out", maintained an implacable, dignified demeanor. Born Nathaniel Coles, he grew up in Chicago in the 1920s, when Louis Armstrong, Jelly Roll Morton and Gatemouth Earl Hines were helping to turn that city into a virtual mecca of jazz. He moved to Los Angeles in 1937 and Capitol Records recognized the attractiveness of his liquid voice and his exquisite style, making him a star as he and his trio moved away from jazz and embraced the pop ballads the public craved.

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