Publication

1997 - Cornell University Press, Ithaca, N.Y, New York (State)

Language

English

Word Count

46,000 words, Guess

Page Count

184 pages

Identifiers

and 2 more
  • LibraryThing1018047
  • Goodreads741254

Classifications

  • DDC781.1/7
  • LCCML3845 .L47 1997

Description

"What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues, basic understanding of music requires nothing more than properly grounded, present-focused attention; and virtually everything in the comprehension of extended pieces of music that suggests explicit architectonic awareness can be explained without the need to posit a conscious grasp of relationships across broad spans." "Levinson rejects the notion that keeping music's large-scale form before the mind is somehow essential to fundamental understanding of it. As evidence, he describes in detail the experience of listening to a wide range of music. He defends, with some qualifications, the views of the nineteenth-century musician and psychologist Edmund Gurney, author of The Power of Sound, who argued that musical comprehension requires only attention to the evolution of music from moment to moment."--BOOK JACKET.

Excerpt

Subjects

Other Editions

  • Music in the momentCornell University Press1997-01-01

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