Publication

2013-10-08 - Thames & Hudson

Word Count

48,000 words, Guess

Page Count

192 pages

Identifiers

and 1 more

Classifications

  • LCCBV890

Description

An intriguing visual history of the veneration in European churches and monasteries of bejeweled and decorated skeletons Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls―this is only one of the specially photographed relics featured in *Heavenly Bodies*. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as “the catacomb saints,” were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.

Description

This book is the chronicle of a group of extraordinary skeletons discovered in the Roman Catacombs in the late sixteenth century. Largely anonymous, they were nevertheless held to be the remains of Early Christian martyrs, and treated as sacred. Sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation, the skeletons were carefully reassembled, and richly adorned with jewels and precious costumes. They became the centre of spiritual life for many communities, yet as time passed, faith in them wavered and they were cast out as imposters, as the Catholic Church turned its back on what was once one of its treasures. This is a story that until now has been left out of the pages of both art and religious histories.

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