Author

Publication

2004 - MIT Press, Cambridge, Mass, Massachusetts

Language

English

Word Count

69,750 words, Guess

Page Count

279 pages

Identifiers

and 2 more
  • Goodreads862063
  • LibraryThing1465106

Classifications

  • DDC791.4302/33/0922
  • LCCPN1998.3.H58 S54 2004

Description

"Although Alfred Hitchcock, Orson Welles, and Jean Renoir do not pontificate about "eternal verities or analytical niceties," as Irving Singer remarks in Three Philosophical Filmmakers, each expresses, through his work, his particular vision of reality. In this study of these great directors, Singer examines the ways in which meaning and technique interact within their different visions." "Singer's account reveals Hitchcock, Welles, and Renoir to be not only consummate artists and inspired craftsmen but also sophisticated theorists of film and its place in human experience. They left behind numerous essays, articles, and interviews in which they discuss the nature of their own work as well as more extensive issues. Singer draws on their writings, as well as their movies, to show the pervasive importance of what they did as dedicated filmmakers."--BOOK JACKET.

First Sentence

Throughout his interviews and writings about his films, Hitchcock often describes himself as someone who merely provides entertainment to an interested public.

Subjects

Topics

791.4302/33/0922Pn1998.3.h58 s54 2004Renoir, jean, 1894-1979Welles, orson, 1915-1985Hitchcock, alfred, 1899-1980Criticism and interpretationRenoir, Jean, 1894- -- Criticism and interpretation.

Other Editions

  • Three philosophical filmmakers: Hitchcock, Welles, RenoirMIT Press2004-01-01

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