Ink art
past as present in contemporary China
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Author
Contributions
- Wu Hung, 1945- - Contributor
- Metropolitan Museum of Art (New York, N.Y.) - Contributor
Publication
2013 - The Metropolitan Museum of Art, New York (State)
Language
English
Word Count
51,500 words, Guess
Page Count
206 pages
Identifiers
- Open LibraryOL26920394M
- ISBN-139781588395047
- ISBN-101588395049
- OCLC Control Number854906237
- OCLC Control Number864697876
and 2 more
- OCLC Control Numberinkartpastaspres0000unse
- Library of Congress Control Number2013028906
Classifications
- DDC751.42/51
- LCCN7345 .I55x 2013
Description
The Chinese tradition of "ink art" stretches far beyond works in ink, to embrace a set of aesthetic principles centered on renewal and reinterpretation of the past. "Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." -- Metropolitan Museum of Art website.
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