Author

Contributions

  • David and Alfred Smart Museum of Art. - Contributor

Publication

2000 - David and Alfred Smart Museum of Art, the University of Chicago, Chicago, Illinois

Language

English

Word Count

56,000 words, Guess

Page Count

224 pages

Identifiers

and 4 more

Classifications

  • DDC700/.411/0951074
  • LCCN7345 .W817 2000
  • LCCN7345.W817 2000

Description

"In his new book, Wu Hung raises timely questions about artistic freedom and censorship. Here, as in the Smart Museum's exhibition Canceled: Exhibiting Experimental Art in China, Wu uses the government's cancellation of the exhibition It's Me (Beijing, 1998) to anchor his analysis of the challenges faced by contemporary Chinese artists and curators." "During this time of rapid change in mainland China, artists and curators are seeking new ways to show work, and finding new allies, patrons and audiences. They are investigating ways to respond to official antagonism, to realize the potential of experimental art in the public sphere, and to maintain the independence of this art in an increasingly commercialized society. Wu addresses these issues through a survey of current exhibition practices, a discussion of the Smart Museum exhibition, a case study of It's Me, a rich collection of primary materials from eleven recent exhibitions. By introducing readers to the complex milieu of experimental artists and curators in China, Wu makes a major contribution to the growing scholarship on contemporary Chinese culture."--Jacket. "In his new book, Wu Hung raises timely questions about artistic freedom and censorship. Here, as in the Smart Museum's exhibition Canceled: Exhibiting Experimental Art in China, Wu uses the government's cancellation of the exhibition It's Me (Beijing, 1998) to anchor his analysis of the challenges faced by contemporary Chinese artists and curators.". "During this time of rapid change in mainland China, artists and curators are seeking new ways to show work, and finding new allies, patrons and audiences. They are investigating ways to respond to official antagonism, to realize the potential of experimental art in the public sphere, and to maintain the independence of this art in an increasingly commercialized society. Wu addresses these issues through a survey of current exhibition practices, a discussion of the Smart Museum exhibition, a case study of It's Me, a rich collection of primary materials from eleven recent exhibitions. By introducing readers to the complex milieu of experimental artists and curators in China, Wu makes a major contribution to the growing scholarship on contemporary Chinese culture."--BOOK JACKET.

Subjects

Topics

ArtHistoryModern ArtExhibitionsChinese ArtArt, chineseArtists, china

Places

Times

Genres

  • Exhibitions

Links

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