The indiscipline of painting
Tate St. Ives, 8 October 2011-3 January 2012, Mead Gallery, Warwick Arts Centre, 14 January-10 March 2012
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Contributions
- Mead Gallery - Contributor
- Tate Gallery St Ives - Contributor
Publication
2011 - Tate Gallery Publishing Ltd., London, England
Language
English
Word Count
30,750 words, Guess
Page Count
123 pages
Identifiers
- ISBN-139781849760003
- ISBN-101849760004
- OCLC Control Number772397066
- Open LibraryOL43887255M
Classifications
- DDC700.411.2
- LCCN6490 .I53 2011
- LCCN6490
Description
The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years. It goes on to demonstrate the way in which the history and legacy of abstract painting continues to inspire artists working today. The contemporary position of abstract painting is problematic. It can be seen to be synonymous with a modernist moment that has long since passed, and an ideology which led the medium to stagnate in self-reflexivity and ideas of historical progression. The Indiscipline of Painting challenges such assumptions. It reveals how painting's modernist histories, languages and positions have continued to provoke ongoing dialogues with contemporary practitioners, even as painting's decline and death has been routinely and erroneously declared. The show brings together works by British, American and European artists made over the last five decades and features major new commissions and loans. It includes important works by Andy Warhol, Frank Stella, Gerhard Richter and Bridget Riley alongside other lesser known artists such as Tomma Abts, Martin Barré, Mary Heilmann and Jeremy Moon.
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