Author

Publication

1997 - Princeton University Press, Princeton, N.J, New Jersey

Language

English

Word Count

56,750 words, Guess

Page Count

227 pages

Identifiers

  • Open LibraryOL982438M
  • ISBN-100691011419
  • OCLC Control Number34772103
  • Library of Congress Control Number96020087
  • Goodreads2834824
and 1 more
  • LibraryThing2784667

Classifications

  • DDC791.43/0233/092
  • LCCPN1998.3.A53 H67 1997

Description

237 p. : 24 cm

Description

Greek film director Theo Angelopoulos is one of the most widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form.

Subjects

Topics

Motion pictures, historyCriticism and interpretationMotion picture producers and directorsMotion pictures, production and directionAngelopoulos, Thodōros, 1935- -- Criticism and interpretationAngelopoulos, Thodōros, 1935-2012 -- Criticism and interpretation

People

Thodōros Angelopoulos (1935-)

Series Statement

  • Princeton modern Greek studies

Other Editions

  • The films of Theo Angelopoulos: a cinema of contemplationPrinceton University Press1997-01-01

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