Publication

2014 - Cambridge University Press

Language

English

Word Count

67,250 words, Guess

Page Count

269 pages

Identifiers

  • ISBN-139781107075641
  • ISBN-101107075645
  • OCLC Control Number891779462
  • Better World Books9781107075641
  • Open LibraryOL27101037M

Classifications

  • LCCML3877
  • LCCTK7881.4 .Z346 2014
  • LCCML3877 .Z346 2014
and 2 more
  • LCCMT90 .Z346 2014
  • LCCML3830 .Z346 2014

Description

The author employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. The book combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production.

Subjects

Other Editions

  • The musicology of record productionCambridge University Press2014-01-01
Show 1 more editions

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