The way Hollywood tells it
story and style in modern movies
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Author
Publication
2006 - University of California Press, Berkeley, California
Language
English
Word Count
77,250 words, Guess
Page Count
309 pages
Identifiers
- ISBN-100520232275
- ISBN-100520246225
- ISBN-139780520232273
- ISBN-139780520246225
- Goodreads72361
and 3 more
- Library of Congress Control Number2005025774
- Better World Books9780520232273
- Open LibraryOL3409802M
Classifications
- DDC791.430973
- LCCPN1993.5.U6 B656 2006
Description
Includes information on Woody Allen, Robert Altman, Asian films, Brian de Plama, European cinema, Alfred Hitchcock, Hong Kong films, Sam Peckinpah, Arthur Penn, Otto Preminger, Brett Ratner, Martin Scorsese, Steven Spielberg, Oliver Stone, Orson Welles, American Graffiti, At Long Last Love, A Beautiful Mind, Bonnie and Clyde, Chinatown, Citizen Kane, The Godfather, Jaws, Jerry Maguire, Lord of the Rings trilogy, Matrix trilogy, Memento, Raiders of the Lost Ark, Sixth Sense, Star Wars series, Two Weeks Notice, arcing shots, axis of action, black and white footage, camera movement, characterization, climax, close ups, comedies, complicating action, cutting, dialogue hook, directors, editing, energy, epilogue, establishing shots, fantasy, film noir, flashbacks, following shots, foreshadowing, four part structure, framing, handheld shots, heroes, horror, hyperclassical construction, independent films, innovation, intensified continuity, intercutting, long lens, long takes, low budget films, montage sequences, motifs, multiple camera shooting, narrative, over the shoulder shots, overt narration, plot, postclassical cinema, protagonists, puzzle films, rapid cutting, reverse order plotting, romantic comedy, science fiction, set up, shots, singles, soundtracks, special effects, Stedicam, story development, studio era, television, thrillers, time, tracking shots, video, violence, visceral effects, visual style, wide angle lens, wide screen, wipe by cuts, wipes, etc.
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