Picturing Extraterrestrials
Alien Images in Modern Mass Culture
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Word Count
148,750 words, Guess
Page Count
595 pages
Physical Format
Hardcover
Identifiers
- ISBN-101573929905
- ISBN-139781573929905
- LibraryThing1316235
- Goodreads1181737
- Library of Congress Control Number2002018950
and 3 more
- OCLC Control Number48920225
- Better World Books9781573929905
- Open LibraryOL8740142M
Classifications
- LCCBF2050 .M64 2003
- LCCBF2050.M64 2002
Description
"In Picturing Extraterrestrials, art historian John F. Moffitt presents a discussion of the popular iconography depicting alleged extraterrestrial (ET) visitors and the widespread appeal of this New Age craze as a mass cultural phenomenon. Moffitt is interested in kitschy ET portraiture, not as evidence of aliens among us, but for what this imagery reveals about contemporary culture. By placing the present cultural moment in historical context, he demonstrates how typical portrayals of aliens reflect long-running (even ancient) cultural motifs." "Whether we realize it or not, among ET's precursors are the pagan gods and goddesses of ancient Greek art, the religious visions depicted in fifteenth-century Spanish paintings, and the popular images of witches and incubi from the eighteenth and nineteenth centuries. Today, in our postmodern space age, these timeless figures of the artistic imagination have taken on the other-worldly trappings of alien creatures. By the same token, centuries-old beliefs have evolved into the current New Age mythology that often surrounds the stories and pictures connected with aliens. Fueled by a huge entertainment industry and the mass media, alien imagery pervades our society, and the line between fantasy and reality becomes ever harder to discern." "Including thirty-five illustrations that trace the history of ET portraiture, this perusal of popular culture presents a sophisticated yet very accessible and often funny dissection of our current obsession with the possibility that "we are not alone.""--BOOK JACKET.
First Sentence
What follows here is a somewhat novel art-historical exercise.
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