Contributions

  • Anderson, Virginia. - Contributor
  • Fogg Art Museum. - Contributor
  • Harvard University. Art Museums. - Contributor

Publication

2007 - Harvard University Art Museums, Cambridge, Mass, Massachusetts

Language

English

Word Count

26,000 words, Guess

Page Count

104 pages

Identifiers

and 2 more
  • Goodreads510447
  • LibraryThing3884923

Classifications

  • DDC759.13074/7444
  • LCCND1807 .S74 2007

Description

"Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary Charles Eliot Norton, the nation's first professor of art history, who taught at Harvard from 1874 to 1898, and by Norton's protege Charles Herbert Moore. The Last Ruskinians is the catalogue of an exhibition that traces Ruskin's impact on these teachers, their students, and many other artists and collectors." "The works represented here include floral studies, landscapes, architectural details, views of Venice, and copies after ancient, medieval, and Renaissance art. Most are in watercolor, Ruskin's favorite medium. Included are ten works by Ruskin himself, all drawn from the Harvard collections, and twice as many by his friend Moore, a Harvard drawing instructor and the Fogg Art Museum's first director."--BOOK JACKET.

Subjects

Topics

ArtInfluence1819-1900ExhibitionsRuskin, John,Art & Art InstructionEnglish Watercolor painting

People

Charles Eliot Norton (1827-1908)Charles Herbert Moore (1840-1930)

Times

Genres

  • Exhibitions.

Other Editions

  • The last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and their circleHarvard University Art Museums2007-01-01

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