The disenchantment of art
the philosophy of Walter Benjamin
Our rough guess is there are 74,500 words in this book.
At a pace averaging 250 words per minute, this book will take 4 hours and 58 minutes to read. With a half hour per day, this will take 10 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Author
Publication
1996 - Guilford Press, New York, New York (State)
Language
English
Word Count
74,500 words, Guess
Page Count
298 pages
Identifiers
- Internet Archivedisenchantmentof00roch
- ISBN-100898624088
- ISBN-10089862407X
- ISBN-139780898624083
- ISBN-139780898624076
Classifications
- DDC111/.85/092
- LCCB3209.B584 R6313 1996
Description
Fifty years after committing suicide at the French-Spanish border, Walter Benjamin remains one of the great cultural critics of this century. Yet despite his wide acclaim, his philosophical ideas remain elusive to most, often considered an intentionally desegregated set of thoughts not meant to cohere. Rainer Rochlitz brings a new perspective to Benjamin's work, arguing that throughout his writings runs a constant theme, that of the struggle to clarify and disenchant language. Providing an insightful, systematic analysis of Benjamin's works and applying them to current philosophical debates, The Disenchantment of Art is the first book to lay claim to his status as a philosopher. Beginning with Benjamin's early works, Rochlitz highlights his search for truth in art. Benjamin believed that art constituted a pure language directly related to God. This language existed prior to the everyday language we use to communicate, and only it could express truth. Benjamin was convinced that analytic philosophy, which had broken away from theology, had no chance to discover truth on its own. As Rochlitz shows, Benjamin's views later changed to a more materialist conception of art based on the idea that it was necessary for politics to take the place of theology as the basis of aesthetics. Further, he felt that traditional art and its aura had to be sacrificed to mass reproduction and immediate efficiency in the revolutionary context of the 1930s. In his later works, Benjamin addressed this sacrifice as a danger for the emancipatory potentials of art. For him, critical history (art criticism included) provided a look at the past and contained all the struggles of humanity to overcome mythical obscurity, oppression, and violence. Offering critical discussions of Benjamin's ideas in the context of his time and exploring their application to current philosophical thought, The Disenchantment of Art will appeal to readers with an interest in philosophy, literature, cultural studies, and art.
Subjects
Topics
People
Times
Other Editions
- The disenchantment of art
Similar Books
The Man Without Content (Meridian: Crossing Aesthetics)
Giorgio Agamben
On Jews and Judaism in crisis: selected essays
Gershom Scholem ; edited by Werner J. Dannhauser
Perceiving the Arts: An Introduction to the Humanities
Dennis J. Sporre
Afterall: A Journal of Art, Context and Enquiry
Nuria Enguita Mayo, Melissa Gronlund, Stephanie Smith, Pablo Lafuente, Anders Kreuger
An examination of Sir William Hamilton's philosophy: and of the principal philosophical questions discussed in his writings
by John Stuart Mill.
Adorno's Aesthetic theory: the redemption of illusion
Lambert Zuidervaart.
Iconoclasm in Aesthetics
Michael Kelly
Art in the light of mystery wisdom: a collection of eight lectures
with an introduction by Marie Steiner, translated [from the German] by Johanna Collis.
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!