Staging fashion, 1880-1920
Jane Hading, Lily Elsie, Billie Burke
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Contributions
- Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture - Contributor
Publication
2012 - Distributed by Yale University Press, New York, New York (State)
Language
English
Word Count
52,000 words, Guess
Page Count
208 pages
Identifiers
- Internet Archivestagingfashion180000unse
- ISBN-139780300181135
- ISBN-100300181132
- Library of Congress Control Number2011042506
- OCLC Control Number758099028
and 2 more
- Better World Books9780300181135
- Open LibraryOL25078699M
Classifications
- DDC792.094109/034
- LCCPN2067 .S83 2012
- LCCPN2067 .S74 2012
and 1 more
- LCCPN2067.S83 2012
Description
"Although Jane Hading (1859{u2013}1940), Lily Elsie (1886{u2013}1962), and Billie Burke (1884{u2013}1970) gained fame as stage actresses, their popular appeal also rested on their ability to cultivate a glamorous appearance. Their careers illustrate the early transformation of actresses into marketable commodities whose celebrity status depended on the consumption of their images. This celebrity, in turn, was used to market an array of beauty and fashion goods to women striving to emulate them. The three women featured in Staging Fashion exemplify the factors that ensured success for 20th-century actresses. Each of these women was dressed by a leading couturier (or several couturiers), both onstage and offstage. In major cities such as New York, Paris, and London, actresses depended on exquisite, custom-made gowns both to secure principal roles and to maintain popularity. Their physical beauty, which was consistent with elite notions of class and race, was depicted on postcards and in popular fashion and theatre magazines and newspapers. Finally, these actresses developed distinct 'personalities,' which were conveyed by their stage roles and in numerous photos and articles."--Publisher's description.
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