Art and Race Matters

Description

"Robert Colescott (1925-2009) was a trailblazing artist, whose august career was as unique as his singular artistic style. Known for figurative satirical paintings that exposed the ugly ironies of race in America from the 1970s through thate 1990s, his work was profoundly influential to the generations of artists that have followed him, such as Kara Walker, Kehinde Wiley, and Henry Taylor, among many others. This volume--accompanying the largest retrospective of the artist's work ever mounted--surveys the entirety of Colescott's body of work, including early works which have rarely been seen. The book includes substantive essays by two of the curators of the exhibition, Lowery Stokes Sims and Matthew Weseley, as well as reminiscences and thought pieces by a variety of family, friends, collaborators, students, curators, dealers, and scholars on his work and a selection of writings by the artist himself. This collection of diverse essays, interviews, and personal remembrances presents perspectives and insights which allow for a richer understanding of the artist's work. Importantly, this catalogue provides detailed stylistic analyses of Colescott's politically inflected oeuvre, focusing on the artist's own consideration of his work in the context of the grand traditions of European painting and contemporary polemic. Relying on previously unpublished transcripts of lectures, reviews, and archival materials provided by institutions and individuals, the book offers a fuller story of the artist's important life and career." "The most comprehensive volume devoted to the life and work of pioneering African American artist Robert Colescott, accompanying the largest traveling exhibition of his work ever mounted. Robert Colescott (1925-2009) was a trailblazing artist, whose august career was as unique as his singular artistic style. Known for figurative satirical paintings that exposed the ugly ironies of race in America from the 1970s through the late 1990s, his work was profoundly influential to the generations of artists that have followed him, such as Kara Walker, Kehinde Wiley, and Henry Taylor, among many others. This volume surveys the entirety of Colescott's body of work, with contributions by more than ten curators and writers, including a substantive essay by the show's cocurator, the renowned Lowery Stokes Sims. It provides a detailed stylistic analysis of his politically inflected oeuvre, focusing on Colescott's own consideration of his work in the context of the grand traditions of European painting and contemporary polemic. In addition, the book features reminiscences and thought pieces by a variety of family, friends, students, curators, dealers, and scholars on his work as well as a selection of writings by the artist himself. Relying on previously unpublished transcripts of lectures, reviews, and archival materials provided by institutions and individuals, the book will provide a fuller story of the artist's life and career."

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