Contributions

  • Sargent, John Singer, 1856-1925 - Contributor
  • Kilmurray, Elaine, author - Contributor
  • Fairbrother, Trevor J., author - Contributor
  • Gallati, Barbara Dayer, author - Contributor
  • Hirshler, Erica E., author - Contributor
and 4 more
  • Simpson, Marc, author - Contributor
  • Weinberg, H. Barbara (Helene Barbara), 1942- author - Contributor
  • National Portrait Gallery (Great Britain) - Contributor
  • Metropolitan Museum of Art (New York, N.Y.) - Contributor

Publication

2015 - , New York (State)

Language

English

Word Count

64,000 words, Guess

Page Count

256 pages

Identifiers

  • ISBN-100847845273
  • ISBN-139780847845279
  • Library of Congress Control Number2014952833
  • OCLC Control Number891031474
  • Better World Books9780847845279
and 1 more

Classifications

  • DDC700.941
  • DDC759.13
  • LCCND237.S3 A4x 2015
and 2 more
  • LCCND237.S3A4 2015
  • LCCNX543-547.6

Description

Many of the sitters in this collection were John Singer Sargent's close friends. They are posed informally, sometimes in the act of painting or singing, and it is evident from the bold way they confront us that they are personalities of a creative stamp. Brilliant as these pictures are as works of art and penetrating studies of character, they are also records of relationships, allegiances, influences and aspirations. This volume aims to explore these friendships in depth and draw out their significance in the story of Sargent's life and the development of his art. The book is structured chronologically, with sections arranged according to the places in which Sargent worked and formed relationships during his cosmopolitan career: Paris, London, New York, Italy and the Alps. The cast of characters includes famous names, among them Gabriel Fauré and Auguste Rodin, Robert Louis Stevenson and Henry James. But the authors also make their point with images of Sargent's intimate friends, such as the artists Jane and Wilfrid de Glehn, who accompanied him on his sketching expeditions to the Continent, and the Italian painter Ambrogio Raffele, a recurrent model inhis Alpine studies. In such paintings, Sargent explored the making of art (his own included) and the relationship of the artist to the natural world. These are examples of an absorbing range of images and personalities, all distinguished in one way or another for their astistry, and all linked by friendship and a shared aesthetic to the central figure of Sargent himself. Exhibition: National Portrait Gallery, London, UK (12.2.-25.5.2015); Metropolitan Museum of Art, New York City, USA (30.6.-4.10.2015).

Subjects

Other Editions

  • Sargent: portraits of artists and friends2015-01-01

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