Enrico Prampolini, Futurism, stage design and the Polish avant-garde theatre
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Author
Contributions
- Strożek, Przemysław, 1983- editor - Contributor
- Marinetti, F. T., 1876-1944 - Contributor
- Bienert, Ryszard, book designer - Contributor
- Muzeum Sztuki w Łodzi - Contributor
Publication
2017 - Muzeum Sztuki, Łódź, Poland
Language
English
Word Count
83,500 words, Guess
Page Count
334 pages
Identifiers
- ISBN-108363820598
- ISBN-139788363820596
- OCLC Control Number1003585879
- Open LibraryOL44110311M
Classifications
- DDC709.04
- LCCN6923.P68 A4 2017
Alternate Titles
- Futurism, stage design and the Polish avant-garde theatre
Description
Enrico Prampolini is one of the most important artistic personages of the international avant-garde. His work echoes almost all new movements and styles of art of the first half of the 20th century: from Futurism, which he co-founded together with Filippo Tommaso Marinetti's group, through Dadaism, Constructivism and Surrealism, to the club of Parisian abstractionists Cercle et Carré. He was a painter, sculptor, scenographer, choreographer, architect and graphic designer. Pampolini created advertisements, posters, montages, big murals and stage sets for a number of movies. He was an organiser of artistic life in Paris, Prague and Rome, as well as curator of the last international avant-garde scenotechnique exhibition at the 6th Triennale in Milan (1936). The exhibition at the Muzeum Sztuki in Łódź presents in chronological order Prampolini's extremely rich artistic legacy in all these areas. The exhibition is the first one ever that will combine projects by representatives of the Italian futurism and the Polish avant-garde. The contacts between artists of both formations also come under examination in quite a broad context.
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