Cats of any color
jazz black and white
Our rough guess is there are 61,500 words in this book.
At a pace averaging 250 words per minute, this book will take 4 hours and 6 minutes to read. With a half hour per day, this will take 8 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Author
Publication
1995 - Oxford University Press, New York, New York (State)
Language
English
Word Count
61,500 words, Guess
Page Count
246 pages
Identifiers
- Internet Archivecatsofanycolorja00leesg
- Internet Archivecatsofanycolorja0000lees
- ISBN-100195084489
- ISBN-139780195084481
- LibraryThing610089
and 4 more
- Library of Congress Control Number94008058
- OCLC Control Number30079054
- Better World Books9780195084481
- Open LibraryOL1084340M
Classifications
- DDC781.65/092/2
- DDCB
- LCCML394 .L39 1994
and 1 more
- LCCML394.L39 1994
Alternate Titles
- Gene Lees jazzletter.
Description
It was Louis Armstrong who said, "These people who make the restrictions, they don't know nothing about music. It's no crime for cats of any color to get together and blow." "You can't know what it means to be black in the United States--in any field," Dizzy Gillespie once said, but Gillespie vigorously objected to the proposition that only black people could play jazz. "If you accept that premise, well then what you're saying is that maybe black people can only play jazz. And black people, like anyone else, can be anything they want to be." In Cats of Any Color, Gene Lees takes a look at the pervasiveness of racism in jazz's past and present--both the white racism that long ghettoized the music and generations of talented black musicians, and what Lees maintains is an increasingly virulent reverse racism aimed at white jazz musicians. In candid interviews, living jazz legends, critics, and composers step forward and share their thoughts on how racism has affected their lives. Dave Brubeck, part Modoc Indian, discusses Native Americans' contribution to jazz and the deeply ingrained racism that for a time made it all but impossible for jazz groups with black and white players to book tours and television appearances. Horace Silver looks back on his long career, including the first time he ever heard jazz played live. Blacks were not not allowed into the pavilion in Connecticut where Jimmie Lunceford's band was performing, so the ten-year-old Silver listened and watched through the wooden slats surrounding the pavilion. "And oh man! That was it!" Silver recalls. Red Rodney recalls his early days with Charlie "Bird" Parker, and pianist and composer Cedar Walton tells of the time Duke Ellington played at the army base at Ford Dix and allowed the young enlisted Walton to sit in. --From publisher's description.
First Sentence
The first black man I ever knew was named Charlie Dorsey.
Subjects
Topics
Places
Other Editions
- Cats of any color: jazz black and white
Similar Books
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!