Publication

2007-12-14 - Sybertooth Inc

Language

English

Word Count

38,000 words, Guess

Page Count

152 pages

Physical Format

Paperback

Identifiers

and 1 more
  • LibraryThing6463168

Classifications

  • LCCPN1009.5.F37 J64 2007

Description

"In the late twentieth century, Canadian children's fantasy had a poor reputation internationally. Was this reputation deserved, and if so, has the quality of children's fantasy and the climate for its publication improved since that time? After a survey of twentieth-century Canadian children's fantasy, Beyond Window-Dressing examines these questions through an extensive cross-section of Canadian children's fantasy published between 2000 and 2004. From Palmer Cox and Catherine Anthony Clark to Judd Palmer and Alison Baird, and writers of international reputation such as Dave Duncan, O.R. Melling, Kenneth Oppel and Charles de Lint, Beyond Window-Dressing weighs Canadian fantasy against the best of the UK and US. It provides not only a window onto Canadian developments in the genre during the opening years of the twenty-first century, but insists that fantasy must be judged by standards as rigorous as those applied to any other genre of literature."--pub. desc.

Description

Recipient of the 2004 Frances E. Russell Award In the late twentieth century, Canadian children's fantasy had a poor reputation internationally. Was this reputation deserved, and if so, has the quality of children's fantasy and the climate for its publication improved since that time? After a survey of twentieth-century Canadian children's fantasy, Beyond Window-Dressing examines these questions through an extensive cross-section of Canadian children's fantasy published between 2000 and 2004. From Palmer Cox and Catherine Anthony Clark to Judd Palmer and Alison Baird, and writers of international reputation such as Dave Duncan, O.R. Melling, Kenneth Oppel and Charles de Lint, Beyond Window-Dressing weighs Canadian fantasy against the best of the UK and US. It provides not only a window onto Canadian developments in the genre during the opening years of the twenty-first century, but insists that fantasy must be judged by standards as rigorous as those applied to any other genre of literature.

Subjects

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