Contributions

  • Griffiths, Paul, 1947 Nov. 24- - Contributor

Publication

1994 - Thames and Hudson, New York, New York (State)

Language

English

Word Count

54,000 words, Guess

Page Count

216 pages

Identifiers

and 3 more
  • Library of Congress Control Number94060288
  • Goodreads2018954
  • LibraryThing103162

Classifications

  • DDC780/.9/04
  • LCCML197 .G74 1994

Description

Beginning at the threshold of the modern era, with the late Romanticism of Debussy and Mahler, the author traces the new directions of music through composers such as Alban Berg and Anton Webern, Charles Ives, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen, Pierre Boulez, Philip Glass and Elliott Carter. The various paths are made clear by a concentration on the major works and turningpoints in the music of our time: the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamed-of possibilities opened up by electronics, the role of chance in the music of John Cage and the astonishing diversity of minimalism.

Subjects

Series Statement

  • World of art

Other Editions

  • Modern musicThames and Hudson1994
Show 1 more editions

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