Contributions

  • Juliet Wilson-Bareau (Contributor) - Contributor
  • Deborah L. Roldan (Contributor) - Contributor

Publication

2003-02-08 - Metropolitan Museum of Art

Language

English

Word Count

152,000 words, Guess

Page Count

608 pages

Physical Format

Hardcover

Identifiers

and 3 more
  • Library of Congress Control Number2003042016
  • Goodreads191722
  • LibraryThing951365

Classifications

  • LCCND544 .T5 2003

Description

"This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--Jacket.

Subjects

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