Contemporary Black British playwrights
margins to mainstream
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Author
Publication
2015 - Palgrave Macmillan, Houndmills, Basingstoke, Hampshire, New York (State)
Language
English
Word Count
63,750 words, Guess
Page Count
255 pages
Identifiers
- ISBN-139780230237483
- ISBN-100230237487
- Library of Congress Control Number2014038194
- OCLC Control Number889735654
- Better World Books9780230237483
and 1 more
- Open LibraryOL31048811M
Classifications
- DDC822/.91409896041
- LCCPR120.B55 G63 2015
- LCCPN1560-1590PN2100-PN
Description
"The first decade of the twenty-first century has been described as witnessing a 'cultural renaissance' of black British playwriting, demonstrated by an increased visibility at London's main theatres, including the National Theatre, the Royal Court, the Soho Theatre, the Tricycle, and even in the West End. At the forefront of this increased visibility are four key playwrights, Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje, whose plays arguably exemplify twenty-first century black British playwrights' engagement with topical social issues, which have warranted their increased recognition by the mainstream. Through an exploration of these four playwrights' portrayal of a range of topical themes, such as urban crime and violence, domestic and sexual abuse, immigration and asylum, the prison system, global poverty, genocide, and the Iraq War, this book explores both the critical frameworks for analysis of new black playwriting, while mapping the socio-political and theatrical conditions that have heralded the shift from the margins to the mainstream"--
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