Gender, theatre, and the origins of criticism

Description

"In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented towards a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity."--BOOK JACKET.

Subjects

Other Editions

• Gender, theatre, and the origins of criticism: from Dryden to ManleyCambridge University Press2003-01-01
• Gender, Theatre and the Origins of CriticismCambridge University Press2002-01-01
• Gender, Theatre, and the Origins of CriticismCambridge University Press2002-01-01
• Gender, Theatre, and the Origins of CriticismCambridge University Press2005-01-01
• Gender, Theatre, and the Origins of CriticismCambridge University Press2009-01-01
• Gender, Theatre, and the Origins of CriticismCambridge University Press2011-01-01