The photomontages of Hannah Höch
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Author
Contributions
- Boswell, Peter W. - Contributor
- Makela, Maria Martha. - Contributor
- Lanchner, Carolyn. - Contributor
- Makholm, Kristin. - Contributor
- Walker Art Center. - Contributor
and 2 more
- Museum of Modern Art (New York, N.Y.) - Contributor
- Los Angeles County Museum of Art. - Contributor
Publication
1996 - Walker Art Center, Minneapolis, Minnesota
Language
English
Word Count
56,000 words, Guess
Page Count
224 pages
Identifiers
- Internet Archivearethesethingsso00hayn_0
- Internet Archivephotomontagesofh00hoch
- ISBN-100935640525
- ISBN-139780935640526
- LibraryThing1688470
and 2 more
- Library of Congress Control Numbertmp96031460
- Open LibraryOL992967M
Classifications
- DDC779/.092
- LCCTR685 .H5671996
- LCCBX8333.H3 A7 1880
Description
A pioneer in the medium of photomontage, Hannah Hoch (1889-1978) was the sole female member of the Berlin Dada movement and continued to produce innovative works well into the 1970s. In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era. Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction. This beautifully designed catalogue presents more than l00 color plates and offers new insights into the life and career of this extraordinary artist.
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- The photomontages of Hannah Höch
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