Mona Hatoum
terra infirma
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Contributions
- Shiblī, ʻAdanīyah, writer of added commentary - Contributor
- Menil Collection (Houston, Tex.) - Contributor
Publication
2017 - The Menil Collection, Texas
Language
English
Word Count
47,750 words, Guess
Page Count
191 pages
Identifiers
- ISBN-139780300233148
- ISBN-100300233140
- Library of Congress Control Number2017958053
- OCLC Control Number1024103124
- OCLC Control Number1002129213
and 2 more
- Better World Books9780300233148
- Open LibraryOL26954281M
Classifications
- DDC709.2
- LCCN6797.H338 A4 2017
- LCCN6797.H338
and 1 more
- LCCN6797.H338 A4 2018
Alternate Titles
- Terra infirma
Description
The work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. This copiously illustrated presentation of Hatoum's oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualize the artist's work and its relationship to surrealism, minimalism, feminism, and politics.
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Other Editions
- Mona Hatoum: terra infirma
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