Contributions

  • Artega, Agustin, writer of foreword - Contributor
  • Sieburgh, Jan Willem, 1950- writer of foreword - Contributor
  • Bell, Kirsty, author - Contributor
  • Delahunty, Gavin, author - Contributor
  • Le Feuvre, Lisa, author - Contributor
and 9 more
  • Gillick, Liam, 1964- author - Contributor
  • Luke, Megan R., 1977- author - Contributor
  • Richman, Lauren, author - Contributor
  • Ruf, Beatrix, author - Contributor
  • Saletnik, Jeffrey, author - Contributor
  • Witkovsky, Matthew S., 1967- author - Contributor
  • Fox, Martin, 1974- editor - Contributor
  • Amsterdam (Netherlands). Stedelijk Museum - Contributor
  • Dallas Museum of Art - Contributor

Publication

2018 - Dallas Museum of Art, Texas

Language

English

Word Count

61,250 words, Guess

Page Count

245 pages

Identifiers

  • ISBN-100300229224
  • ISBN-139780300229226
  • Library of Congress Control Number2017958065
  • OCLC Control Number1021034595
  • Better World Books9780300229226
and 1 more

Classifications

  • DDC759.3
  • LCCN6888.F62 A4 2018
  • LCCN6888.F62 G86 2018
and 1 more
  • LCCN6888

Alternate Titles

  • Fragile beauty

Description

Gunther Förg (1952-2013) was a German painter, sculptor, and photographer with an irreverent approach to abstraction. Förg's project tackled the latent instability between image and reality. His painterly surfaces may appear exquisitely sensitive, his installations elegantly precise, but these are mastered and executed with a cold detachment. His deft manipulations of the languages of abstraction obscured a darker message. This publication, the most comprehensive to date, offers an important new understanding of this extraordinary and complex artist. Three years in the making, it reinterprets Förg's oeuvre to reveal an artistic project that raises important questions about the traditional role of an object as a conveyor of fixed meaning. The book's subtitle--"A Fragile Beauty"--is an indication of how Förg successfully manipulated what is behind and beyond an object's appearance.

Subjects

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