Publication

1997 - Cambridge University Press, Cambridge, England

Language

English

Word Count

57,250 words, Guess

Page Count

229 pages

Identifiers

  • Open LibraryOL999003M
  • ISBN-100521572703
  • OCLC Control Number503282523
  • Library of Congress Control Number96037798
  • LibraryThing469264
and 1 more
  • Goodreads5123171

Classifications

  • DDC704/.042/094509031
  • LCCN72.F45 J33 1997

Description

Leonardo, Raphael, and Michelangelo are familiar names that are often closely associated with the concepts of genius and masterpiece. But what about Sofonisba Anguissola, Lavinia Fontana, and Irene di Spilimbergo? Their names are unfamiliar and their works are literally unknown. Why? Defining the Renaissance Virtuosa considers the language of art in relationship to the issues of gender difference through an examination of art criticism written between 1550 and 1800 on approximately forty women artists who were active in Renaissance Italy. Fredrika Jacobs demonstrates how these theoretical writings defined women artists by linking artistic creation with biological procreation. She also examines the ambiguity of these women as both beautiful objects and creators of beautiful objects. Jacobs's study shows how deeply the biases of these early critics have affected both subsequent reception of these Renaissance virtuose and modern scholarship.

Subjects

Topics

BiographyItalian ArtArt, ItalianWomen artistsRenaissance ArtArt, RenaissanceFeminism and art

Places

Similar Books

Reader Reviews

No reviews yet for this book.

Be the first to share your thoughts!