Listen but don't ask question
Hawaiian slack key guitar across the Transpacific
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Author
Contributions
- Duke University Press - Contributor
Publication
2019 - Duke University Press, Durham, North Carolina
Language
English
Word Count
79,000 words, Guess
Page Count
316 pages
Identifiers
- Internet Archivelistenbutdontask00fell
- ISBN-101478005998
- ISBN-101478006714
- ISBN-139781478005995
- ISBN-139781478006718
and 5 more
- Library of Congress Control Number2019012126
- OCLC Control Number1085593140
- Better World Books9781478005995
- Better World Books9781478006718
- Open LibraryOL28758200M
Classifications
- LCCM142.H3 F455 2019
- LCCM142.H3F455 2019
- LCCML1015.G9 F45 2019
Description
"Played on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though played on a non-Hawaiian instrument and being influenced by Mexican cowboy culture, it is widely considered to be a truly Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don't Ask Question Kevin Fellezs examines Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitar in Hawai'i, California, and Japan, tracing how notions of belonging and authenticity become contested depending on who plays the music and where. In Hawai'i slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it becomes the means through which to create a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides with a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian-ness Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging throughout the Transpacific."--Provided by publisher.
Subjects
Topics
Other Editions
- Listen but don't ask question: Hawaiian slack key guitar across the Transpacific
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