Captive bodies
postcolonial subjectivity in cinema
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Author
Publication
1999 - State University of New York Press, Albany, New York (State)
Language
English
Word Count
62,250 words, Guess
Page Count
249 pages
Identifiers
- Open LibraryOL375381M
- ISBN-100791441555
- OCLC Control Number42856158
- OCLC Control Number40125913
- OCLC Control Numbercaptivebodiespos0000fost
and 3 more
- Library of Congress Control Number98037251
- Goodreads2320359
- LibraryThing1315217
Classifications
- DDC791.43/658
- LCCPN1995.9.C333 F67 1999
Description
Captive Bodies examines the film industry's fascination with bondage and captivity, seeking to revisualize American cinema through the lens of critical discourse on captivity narratives, slave narratives, and postcolonial critiques of cinematic constructions of "whiteness," "blackness," gender, and sexuality. Captivity is also examined here in relation to both those in front and behind the camera. Are we "subject" to others? Are we "bound" and "captive" in images? Are we "captive" bodies and "captive" audiences, held hostage to the spectacles of voyeuristic pleasure? Are those behind the camera involved in a process not unlike that of the slave system, enslaving the body in the image? To answer these and other questions, Captive Bodies draws upon a wide range of critical methodologies, including postcolonial studies, feminist film criticism, anthropology, and phenomenology.
Subjects
Topics
Places
Series Statement
- SUNY series, cultural studies in cinema/video
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