Hilding Linnqvist
att bli konstnär
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Contributions
- Liljevalchs konsthall (Stockholm, Sweden) - Contributor
Publication
2020 - Arvinius+Orfeus, Stockholm, Sweden
Language
Swedish
Word Count
47,250 words, Guess
Page Count
189 pages
Identifiers
- ISBN-109187543478
- ISBN-109186011456
- ISBN-139789187543470
- ISBN-139789186011451
- OCLC Control Number1198093265
and 1 more
- Open LibraryOL44009526M
Classifications
- DDC709.04
- DDC759.9485
- LCCND793.L555 A4 2020
Alternate Titles
- Att bli konstnär
Description
Hilding Linnqvist (1891-1984) was the leading figure and inspirer behind an art movement that critics towards the end of the 1910s came to call naivism. The book about his path to becoming an artist describes the journey between the years 1916 and 1925. During this period, Hilding Linnqvist participated in six important group exhibitions at Liljevalchs, the first art gallery inaugurated in 1916 for modern art in Stockholm. The road to success was lined with insults in the press, which were paired with attempts to put labels on him and the young art. Painters like Hilding Linnqvist considered themselves personal narrators alongside all styles. His debut in 1916 gave him plenty of rice in the press. The one he bravely ignored and continued to relentlessly develop his special balancing act between realism and fantasy. Within a few years, he was highlighted as one of the foremost names and pioneers of his time in Swedish naivism. Interiors and landscapes were dressed in the costume of fantasy and poetry. The outside world was adorned with a metaphor of love, a search for the perfection of body and soul, a play of games and alchemy of eroticism and religious thoughts. The acts and performances took place in painting after painting as different chapters: Heart song, The Queen's jewel, The happy people, The garden, The summer, In the quiet evening, Jewelry and crystal and The old park. Exhibition: Liljevalchs, Stockholm, Sweden (09.10.2020-10.01.2021) Hilding Linnqvist (1891-1984) var förgrundsgestalten och inspiratören bakom en konstriktning som kritikerna mot slutet av 1910-talet kom att kalla naivism. Boken om hans väg mot att bli konstnär beskriver resan mellan åren 1916 och 1925. Under denna period deltog Hilding Linnqvist i sex viktiga samlingsutställningar på Liljevalchs, den första konsthallen invigd 1916 för den moderna konsten i Stockholm. Vägen mot framgångarna kantades av utskällningar i pressen, som parades med försöken att sätta etiketter på honom och den unga konsten. Målare som Hilding Linnqvist betraktade sig som personliga berättare vid sidan av alla stilar. Debuten år 1916 gav honom rejält med ris i pressen. Den ignorerande han tappert och fortsatte att oförtrutet utveckla sin speciella balansgång mellan realism och fantasteri. Inom några år lyftes han fram som en av sin tids främsta namn och föregångare inom svensk naivism. Interiörer och landskap kläddes i fantasins och poesins dräkt. Omvärlden smyckades med en kärleksmetaforik, ett sökande efter kroppens och själens fullkomning, ett erotikens och de religiösa funderingarnas lustspel och alkemi. Akterna och föreställningarna utspelades i målning efter målning som olika kapitel: Hjärtatssång, Drottningens juvelsmycke, De lyckliga människorna, Lustgården, Sommaren, I tysta kvällen, Smycken och kristall och Den gamla parken. Exhibition: Liljevalchs, Stockholm, Sweden (09.10.2020-10.01.2021).
Subjects
People
Times
Other Editions
- Hilding Linnqvist: att bli konstnär
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