Afro modern
journeys through the black Atlantic
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Author
Contributions
- Tate Gallery Liverpool - Contributor
Publication
2010 - Distributed in the USA by Harry N. Abrams, Liverpool [England, England
Language
English
Word Count
55,750 words, Guess
Page Count
223 pages
Identifiers
- Internet Archiveafromodernjourne0000unse
- ISBN-101854379232
- ISBN-139781854379238
- Library of Congress Control Number2009943195
- OCLC Control Number455828860
and 2 more
- Better World Books9781854379238
- Open LibraryOL24410768M
Classifications
- DDC704.0396
- LCCN7380.5 .A38 2010
- LCCN7380.5
and 1 more
- LCCN7380.5 .A37 2010
Description
'Afro Modern: Journeys through the Black Atlantic' explores the impact of different black cultures from around the Atlantic on art from the early twentieth-century to today. The exhibition takes its inspiration from Paul Gilroy's influential book 'The Black Atlantic: Modernity and Double Consciousness' 1993. It features over 140 works by more than 60 artists. Gilroy used the term 'The Black Atlantic' to describe the transmission of black cultures around the Atlantic, and the instances of cultural hybridity, that occurred as a result of transatlantic slavery and its legacy. 'Afro Modern: Journeys through the Black Atlantic' reflects Gilroy's idea of the Atlantic Ocean as a 'continent in negative', offering a network connecting Africa, North and South America, the Caribbean and Europe. It traces both real and imagined routes taken across the Atlantic, and highlights artistic links and dialogues from the early twentieth-century to today. The exhibition is divided into seven chronological sections. Charting new forms of art arising from black culture and the work of black artists and intellectuals, it opens up an alternative, transatlantic reading of modernism and contemporary culture.
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