Contributions

  • Davies, Clare, 1980- writer of added text - Contributor
  • Khouri, Kristine, writer of added text - Contributor
  • Naguib, Ezzedine, writer of added text - Contributor
  • Mosaic Rooms (London, England) - Contributor

Publication

2018 - Zamân, Paris, France

Language

English

Word Count

77,750 words, Guess

Page Count

311 pages

Identifiers

Classifications

  • DDC750
  • LCCND1085.A228 A4 2018

Alternate Titles

  • Hamed Abdalla

Description

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabecedaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice. Hamed Abdalla (1917-1985) is an influential painter in Egyptian modernism. Self-taught, he had established himself as an artist by his early 20's. Frustrated by the political climate of his native country, Abdalla left Egypt to continue his career in Copenhagen during the 1960s. Here he crossed paths with artists associated with the CoBrA movement before he moved to France. Linking the origins of his abstract paintings to Islamic traditions and calligraphy, Abdalla explored the concept of the "creative word" or "talisman," the combination of a written word, a body shape and an abstract form, upon the canvas. In his work he reflected on the political change of the time, alongside his research into the visual ideas. Curator Morad Montazami notes "Abdalla represents a prolific 'archive' for different genealogies of trans-arab and Mediterranean modernities."

Subjects

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