ARABECEDAIRE
Hamed Abdalla
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Author
Contributions
- Davies, Clare, 1980- writer of added text - Contributor
- Khouri, Kristine, writer of added text - Contributor
- Naguib, Ezzedine, writer of added text - Contributor
- Mosaic Rooms (London, England) - Contributor
Publication
2018 - Zamân, Paris, France
Language
English
Word Count
77,750 words, Guess
Page Count
311 pages
Identifiers
- ISBN-139791093781044
- ISBN-139791093781143
- OCLC Control Number1037055636
- Open LibraryOL44228484M
Classifications
- DDC750
- LCCND1085.A228 A4 2018
Alternate Titles
- Hamed Abdalla
Description
This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabecedaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice. Hamed Abdalla (1917-1985) is an influential painter in Egyptian modernism. Self-taught, he had established himself as an artist by his early 20's. Frustrated by the political climate of his native country, Abdalla left Egypt to continue his career in Copenhagen during the 1960s. Here he crossed paths with artists associated with the CoBrA movement before he moved to France. Linking the origins of his abstract paintings to Islamic traditions and calligraphy, Abdalla explored the concept of the "creative word" or "talisman," the combination of a written word, a body shape and an abstract form, upon the canvas. In his work he reflected on the political change of the time, alongside his research into the visual ideas. Curator Morad Montazami notes "Abdalla represents a prolific 'archive' for different genealogies of trans-arab and Mediterranean modernities."
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