The Invisible Masterpiece
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Author
Contributions
- Helen Atkins (Translator) - Contributor
Publication
2001-09-01 - University Of Chicago Press
Language
English
Word Count
120,000 words, Guess
Page Count
480 pages
Identifiers
- ISBN-100226042650
- ISBN-139780226042657
- Goodreads1041287
- LibraryThing1287723
- Library of Congress Control Number2001027411
and 4 more
- OCLC Control Number46401602
- Better World Books9780226042657
- Better World BooksP8-CQM-646
- Open LibraryOL7415305M
Classifications
- LCCN7475 .B45313 2001
- LCCN7475.B45313 2001
Description
"The Invisible Masterpiece is a history of the modern work of art, from its emergence c.1800 through to the 1960s. Before 1800, art-works were either imitative (portraits, landscapes) or narrative (history painting), but under the impact of Romantic modernity the physical object - a painted canvas, say, or a sculpture - was reinterpreted in a novel way. Now the work of art was visible testimony to the artist's attempt to achieve the impossible - absolute or ultimate art. The 'invisible masterpiece', then, is an unattainable ideal, an ideal that has both bewitched and bewildered artists." "The Invisible Masterpiece is an unusual reconstruction of the history of the work of art since 1800, in which Hans Belting explores and explains the dreams and fears, the triumphs and failures of modernity's painters and sculptors."--BOOK JACKET.
First Sentence
Our notion of the 'work of art' has its origin in the concept of the unique 'masterpiece', an idea that gained currency when the first museums were founded: revered icons or works of star quality were crucial to justify the existence of the temples of art that bourgeois culture demanded.
Other Editions
- The Invisible Masterpiece
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