The paintings of Moholy-Nagy
the shape of things to come
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Contributions
- Santa Barbara Museum of Art - Contributor
Publication
2015 - Santa Barbara Museum of Art, California
Language
English
Word Count
40,000 words, Guess
Page Count
160 pages
Identifiers
- ISBN-100300209975
- ISBN-139780300209976
- Library of Congress Control Number2014047923
- OCLC Control Number894310503
- Better World Books9780300209976
and 1 more
- Open LibraryOL27188413M
Classifications
- DDC759.39
- LCCND522.5.M59 A4 2015
- LCCND522.5.M59A4 2015
Description
"Laszlo Moholy-Nagy (1895-1946) became notorious for the declarations he made about the end of painting, encouraging artists to exchange brush, pigment, and canvas for camera, film, and searchlight. Even as he made these radical claims, he painted throughout his career. The practice of painting enabled Moholy-Nagy to imagine generative relationships between art and technology, and to describe the shape future that possibilities might take. Joyce Tsai illuminates the evolution of painting's role for Moholy-Nagy through key periods in his career: at the German Bauhaus in the 1920s, in the Netherlands and the United Kingdom in the early 1930s, and as director of the New Bauhaus in Chicago in the last decade of his life. The book also includes an introduction to the history, qualities, and significance of plastic materials that Moholy-Nagy used over the course of his career, and an essay on how his project of shaping habitable space in his art and writing resonated with artists and industrial designers in the 1960s and 1970s. "--
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