Blackness in opera
Our rough guess is there are 75,500 words in this book.
At a pace averaging 250 words per minute, this book will take 5 hours and 2 minutes to read. With a half hour per day, this will take 10 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Publication
2012 - University of Illinois Press, Urbana, Illinois
Language
English
Word Count
75,500 words, Guess
Page Count
302 pages
Physical Format
Hardcover
Identifiers
- ISBN-100252036786
- ISBN-100252093895
- ISBN-139780252036781
- ISBN-139780252093890
- Library of Congress Control Number2011027787
and 4 more
- OCLC Control Number741937646
- Better World Books9780252036781
- Better World Books9780252093890
- Open LibraryOL25287780M
Classifications
- DDC782.1089/96
- LCCML1700 .B53 2012
- LCCML1700.B53 2012
and 1 more
- LCCML1700
Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley.--Publisher description.
Description
"Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley"--Publisher description.
Subjects
Topics
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!