Publication

2000-11-15 - University Of Chicago Press

Language

English

Word Count

44,000 words, Guess

Page Count

176 pages

Physical Format

Paperback

Identifiers

and 4 more
  • Library of Congress Control Number98053267
  • OCLC Control Number223468618
  • OCLC Control Number40473761
  • Better World Books9780226893969

Classifications

  • LCCHG353 .W47 2000
  • LCCHG353 .W47 1999

Description

New Yorker writer Lawrence Weschler chronicles the antics of J. S. G. Boggs, a young artist with a certain panache, a certain flair, a certain je ne payes pas - an artist, that is, whose consuming passion is money, or perhaps, more precisely, value. What Boggs likes to do is to draw money - actual paper notes in the denominations of standard currencies from all over the world - and then to go out and try to spend those drawings. Instead of selling his money drawings outright to interested collectors, Boggs looks for merchants who will accept his drawings in lieu of cash payment for their wares or services as part of elaborately choreographed transactions, complete with receipts and even proper change - an artistic practice that regularly lands him in trouble with treasury police around the globe. Boggs: A Comedy of Values teases out these transactions and their sometimes dramatic legal consequences, following Boggs on a larkish, though at the same time disconcertingly profound, econo-philosophic chase. For in a madcap Socratic fashion, Boggs is raising all sorts of truly fundamental questions - what is it that we value in art, or, for that matter, in money? Indeed, how do we place a value on anything at all? And in particular, why do we, why should we, how can we place such trust in anything as confoundingly insubstantial as paper money?

Description

New Yorker writer Lawrence Weschler chronicles the antics of J. S. G. Boggs, a young artist with a certain panache, a certain flair, a certain je ne payes pas - an artist, that is, whose consuming passion is money, or perhaps, more precisely, value. What Boggs likes to do is to draw money - actual paper notes in the denominations of standard currencies from all over the world - and then to go out and try to spend those drawings. Instead of selling his money drawings outright to interested collectors, Boggs looks for merchants who will accept his drawings in lieu of cash payment for their wares or services as part of elaborately choreographed transactions, complete with receipts and even proper change - an artistic practice that regularly lands him in trouble with treasury police around the globe. Boggs: A Comedy of Values teases out these transactions and their sometimes dramatic legal consequences, following Boggs on a larkish, though at the same time disconcertingly profound, econo-philosophic chase. For in a madcap Socratic fashion, Boggs is raising all sorts of truly fundamental questions - what is it that we value in art, or, for that matter, in money? Indeed, how do we place a value on anything at all? And in particular, why do we, why should we, how can we place such trust in anything as confoundingly insubstantial as paper money?

First Sentence

J. S. G. BOGGS is a young artist with a certain flair, a certain panache, a certain je ne paye pas.

Subjects

Other Editions

  • BoggsPaperbackUniversity Of Chicago Press2000-11-15

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