The meaning of metafiction
a critical study of selected novels by Sterne, Nabokov, Barth, and Beckett
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Author
Publication
1981 - Distribution, Columbia University Press, Bergen, Norway
Language
English
Word Count
43,500 words, Guess
Page Count
174 pages
Identifiers
- Internet Archivemeaningofmetafic0000chri
- ISBN-108200056929
- ISBN-139788200056928
- Goodreads147926
- Library of Congress Control Number82121199
and 2 more
- OCLC Control Number8079347
- Open LibraryOL3032945M
Classifications
- DDC823/.009/1
- LCCPN3491 .C48 1981
- LCCPR881 .C47x
Description
In 20th century literature, a kind of fiction has come much to the fore where the narrator discusses his own craft and frequently addresses the reader. However, Laurence Sterneʼs Tristram Shandy may serve as a striking example of the fact that metafiction is no modern phenomenon. Metafiction has been criticized for solipsism and regarded as a final proof of ʼthe novel no longer novelʼ. Discussing works of three contemporary novelists, Nobokov, Barth and Beckett, and Sterneʼs eighteenth century novel, the author argues that with their tricks, parodies and humour (humor) the metafictionists are concerned with a central human problem: communication. Should literature entertain, come up with ideas about the meaning of existence or give the reader a purely aesthetic experience? The four novelists examined in this study give different and rather exciting answers to these questions and to the problem of bringing their intentions across to the reader. Book cover.
Subjects
Topics
Other Editions
- The meaning of metafiction: a critical study of selected novels by Sterne, Nabokov, Barth, and Beckett
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