Strategies of display
museum presentation in nineteenth- and twentieth-century visual culture
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Author
Publication
2004 - Museum Boijmans Van Beuningen, Rotterdam
Language
English
Word Count
71,750 words, Guess
Page Count
287 pages
Identifiers
- Open LibraryOL3368297M
- ISBN-109056623788
- OCLC Control Number55969229
- Library of Congress Control Number2004441551
- Goodreads2761868
and 1 more
- LibraryThing5033375
Classifications
- DDC069.5
- LCCAM151 .N66 2004
Alternate Titles
- Museum presentation in nineteenth- and twentieth-century visual culture.
Description
"Strategies of display describes the history of museum presentation within the context of nineteenth- and twentieth-century visual culture. Taking the remarkable display history at the Boijmans Van Beuningen Museum in Rotterdam as a point of depature, it reflects on the history of presentation in museums in Western Europe and North America. Its numerous illustrations present a parallel history of museum presentation in pictures." "Julia Noordegraaf describes how in the nineteenth and twentieth centuries museums communicated with their audiences through their presentations. She argues that museum presentations are based on a 'script' which, like the script of a film, defines a framework of action within which the presentation, its designers and its users interact. This script comprises all the elements that mediate between the museum and its audience. These include the location, architecture and layout of the building, the order and arrangement of the objects, the various display techniques and the different means of communicating with the visitor." "This book is unique in its approach to museum presentation as a part of visual culture. Drawing upon ideas developed in film studies, it proceeds from the assumption that the visual media confronting exhibition designers and visitors alike, constitute certain viewing habits that influence the design of museum displays."--Jacket.
Subjects
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Other Editions
- Strategies of display: museum presentation in nineteenth- and twentieth-century visual culture
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