Publication

2009 - Atropos Press, New York, New York (State)

Language

English

Word Count

50,750 words, Guess

Page Count

203 pages

Identifiers

Classifications

  • DDC701.18
  • LCCN8217.A65 O884 2009

Description

Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilem Flusser's techno-imagination, Lygia Clark's and Helio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative.

Subjects

Topics

ArchievenKonstkritikKunsttheorieDocumentatieArt criticismArchives in artArt appreciation

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