The Andean hybrid baroque
convergent cultures in the churches of colonial Peru
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Author
Publication
2010 - University of Notre Dame Press, Notre Dame, Ind, Indiana
Language
English
Word Count
160,500 words, Guess
Page Count
642 pages
Identifiers
- ISBN-100268022224
- ISBN-139780268022228
- Library of Congress Control Number2010024243
- OCLC Control Number640919103
- Better World Books9780268022228
and 1 more
- Open LibraryOL25160994M
Classifications
- DDC726.50985/0903
- LCCNA5413 .B35 2010
- LCCNA5413.B35 2010
Description
"In spite of decades of scholarship, our understanding of the Andean Hybrid Baroque and its churches has been severely handicapped by a lack of archival documentation and consistent stylistic analysis ... I wrote this study specifically to fill these gaps." -- The Introduction. "The Andean Hybrid Baroque is the first comprehensive study of the architecture and architectural sculpture of southern Peru in the late colonial period (1660s-1820s), an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures.^ The Andean Hybrid Baroque (also known as "Mestizo Style") was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic churches, chapels, cloisters, and conventual buildings." "Drawing on hundreds of primary documents and on ethno-historical and anthropological literature that has rarely been applied to an art-historical subject, Gauvin Alexander Bailey provides the most substantial study of Colonial Peruvian architecture in decades. The product of six years of photographic surveys in Peru, Bolivia, and Argentina, as well as research in governmental and ecclesiastical archives in Latin America and Europe, Bailey's richly illustrated study examines the construction history and decoration of fifty churches.^ It offers a fundamentally new understanding of the chronology, regional variations, and diffusion of the Andean Hybrid Baroque style, as well as a fresh interpretation of its relationship to indigenous Andean culture." --
Subjects
Series Statement
- History, languages, and cultures of the Spanish and Portuguese worlds
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