Contributions

  • Blake, Jeremy, 1971- - Contributor
  • York University (Toronto, Ont.). Art Gallery. - Contributor

Publication

2005 - Art Gallery of York University, Toronto, Ontario

Language

English

Word Count

43,500 words, Guess

Page Count

174 pages

Identifiers

and 3 more

Classifications

  • LCCN6537.B522M66 2005

Description

One cinema-architecture responds to another as the nineteenth-century mansion of the heiress to the Winchester Repeating Rifle fortune haunts once again through the hallucinated images of American artist Jeremy Blake's Winchester Trilogy. Blake's invention of a new genre of art between video and painting---video projection as time-based painting---is the medium through which Sarah Winchester's mad architectural project (constructed to appease spirits killed by her family's manufacture) transmits its ghostly inheritance. Spirit Hunter examines how its mythic haunting by violence reverberates today in America's wars. The book ranges widely through frontier myth, American foreign policy, technology, war, film history, psychoanalytic theory (Nicholas Abraham and Maria Torok's cryptonymy), and philosophy (Jacques Derrida and Emmanuel Levinas), as it weaves art analysis into the troubled history of a social artifact. As Blake tells his story purely through images issuing as haunting from the architecture of Winchester house, Spirit Hunter pursues its speculation on the secrets Sarah Winchester shielded through her fabled mansion into the image itself to question whether she was hostage to her haunting or to national myth.

Subjects

Genres

  • Exhibitions.

Other Editions

  • Spirit hunter: the haunting of American culture by myths of violence : speculations on Jeremy Blake's Winchester trilogyArt Gallery of York University2005-01-01

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