Je suis le cahier
the sketchbooks of Picasso
1st ed.
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Author
Contributions
- Glimcher, Arnold B. - Contributor
- Glimcher, Marc. - Contributor
- Pace Gallery. - Contributor
Publication
1986 - Atlantic Monthly Press, Boston, Massachusetts
Language
English
Word Count
87,250 words, Guess
Page Count
349 pages
Identifiers
- ISBN-100871130815
- ISBN-100871130823
- ISBN-139780871130815
- ISBN-139780871130822
- LibraryThing128638
and 6 more
- Library of Congress Control Number86047536
- OCLC Control Number59946302
- OCLC Control Number83349237
- OCLC Control Number13947407
- Better World Books9780871130815
- Open LibraryOL2741380M
Classifications
- DDC741.944
- LCCN6853.P5 A4 1986
- LCCN6853.P5A4 1986
Description
Catalog of an exhibition held at the Pace Gallery, New York, May 2-Aug. 1, 1986. Bibliography: p. 347. "Picasso considered all of his works to be entries in his diary; he excluded nothing. The sketchbooks are generic chapters inextricable from his oeuvre. In Picasso's paintings the spontaneity of gesture is deceptive since the manner is which he leaves his tracks visible superficially suggests minimal preparation. Although most of Picasso's solutions appear to be immediately worked out on the canvas, this was far from the fact. Many paintings sprang fully formed as the fulfillment of preconscious models, but very often others were the product of the process of trial solution and discovery through drawing. There are eight sketchbooks for Les Demoiselles d'Avignon, five for the saltimbanques, four for the Luncheon on the Grass series, and two for The rape of the Sabines. In sketchbook No. 171, Picasso inscribed: "La peinture est plus forte que moi elle me fait faire ce qu'elle veut" ("Painting is stronger than I am; it makes me do what it wants"). The sketchbook itself is the statement's validation."--Publisher.
Subjects
Other Editions
- Je suis le cahier: the sketchbooks of Picasso
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