Brushstroke and emergence
Courbet, impressionism, Picasso
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Author
Publication
2015 - The University of Chicago Press, Chicago, Illinois
Language
English
Word Count
37,000 words, Guess
Page Count
148 pages
Identifiers
- ISBN-139780226272016
- ISBN-139780226272153
- ISBN-10022627201X
- ISBN-10022627215X
- Library of Congress Control Number2014039417
and 4 more
- OCLC Control Number893202676
- Better World Books9780226272016
- Better World Books9780226272153
- Open LibraryOL31050855M
Classifications
- DDC750.1/9
- LCCND1505 .H47 2015
- LCCND1505.H47 2015
and 1 more
- LCCND1505
Description
"No pictorial device in nineteenth-century French painting more clearly represented the free-ranging self than the loose brushstroke. From the romantics through the impressionists and post-impressionists, the brushstroke bespoke autonomous artistic individuality and freedom from convention. The question of how much we can credit to the individual brushstroke is complicated-and in Brushstroke and Emergence, James D. Herbert uses that question as a starting point for an extended essay that draws on philosophy of mind, the science of emergence, and art history."
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