Visionary Film
The American Avant-Garde, 1943-2000.
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Author
Publication
2002 - Oxford University Press, Incorporated, S. l
Language
English
Word Count
124,000 words, Guess
Page Count
496 pages
Identifiers
- Internet Archivevisionaryfilmame00sitn_392
- Internet Archivevisionaryfilmame0000sitn_x1l5
- Internet Archivevisionaryfilmame0000sitn_e5z0
- ISBN-10019514886X
- ISBN-139780195148862
and 5 more
- LibraryThing257836
- Library of Congress Control Number2001037045
- OCLC Control Number47023642
- Better World Books9780195148862
- Open LibraryOL15504985M
Classifications
- LCCPN1995.9.E96S53 2002
- LCCPN1995.9.E96 S53 2002
Description
1. Meshes of the Afternoon2. Ritual and Nature3. The Potted Psalm4. The Magus5. From Trance to Myth6. The Lyrical Film7. Major Mythopoeia8. Absolute Animation9. The Graphic Cinema: European Perspectives10. Apocalypses and Picaresques11. Recovered Innocence12. Structural Film13. The Seventies14. The End of the 20th CenturyNotesIndex
First Sentence
THE COLLABORATION OF Maya Deren and Alexander Hammid shortly after their marriage in 1942 recalls in its broad outline and its aspiration the earlier collaboration of Salvador Dali and Luis Bunuel on Un Chien Andalou (1928).
Subjects
Other Editions
- Visionary Film: The American Avant-Garde, 1943-2000.
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