Wayne Thiebaud
1958-1968
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Author
Contributions
- Teagle, Rachel, curator - Contributor
- Lovell, Margaretta M., writer of added commentary - Contributor
- Nemerov, Alexander, writer of added commentary - Contributor
- Wilmott, Francesca, writer of added commentary - Contributor
- Hardy, Arielle, writer of added commentary - Contributor
and 2 more
- Manetti Shrem Museum - Contributor
- University of California Press - Contributor
Publication
2018 - , California
Language
English
Word Count
43,750 words, Guess
Page Count
175 pages
Identifiers
- ISBN-100520294467
- ISBN-139780520294462
- Library of Congress Control Number2017026659
- OCLC Control Number981118117
- Better World Books9780520294462
and 1 more
- Open LibraryOL26949921M
Classifications
- DDC759.13
- LCCND237.T5515 A4 2018
- LCCND237.T5515A4 2018
Description
Wayne Thiebaud : 1958-1968 examines Thiebaud's ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was moving beyond Abstract Expressionism and redefining itself. By questioning Thiebaud's relationship to Pop art, his self-imposed distance from the movement, and the popular urge to affiliate him with it, Teagle explores the role of his painting in the traffic of images at the end of the twentieth century. Organized in close cooperation with the artist, this is the first study of the emergence of Thiebaud's mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis. Thiebaud's art, like that of the celebrated Pop artists with whom he shared early exhibitions, is ripe for critical reappraisal. The "soft" nature of Thiebaud's famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis. Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud's painterly language--its historical sources and contemporary affiliations.
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