Dutch paintings of the seventeenth century
Our rough guess is there are 114,000 words in this book.
At a pace averaging 250 words per minute, this book will take 7 hours and 36 minutes to read. With a half hour per day, this will take 15 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
We earn a commission on purchases
Contributions
- Wheelock, Arthur K. - Contributor
Publication
1995 - National Gallery of Art, Washington, District of Columbia
Language
English
Word Count
114,000 words, Guess
Page Count
456 pages
Identifiers
- Open LibraryOL1114177M
- ISBN-100894682113
- OCLC Control Number905862764
- OCLC Control Number31409518
- OCLC Control Numberdutchpaintingsof0000nati
and 3 more
- Library of Congress Control Number94040122
- LibraryThing1495142
- Goodreads5641225
Classifications
- DDC759.9492/09/032074753
- LCCND646 .N3737 1995
Description
From the hardships of a long and arduous war against Spain, seventeenth-century Dutch artists seem to have drawn strength, and Dutch paintings of this period express pride in a unique social and cultural heritage. The ability of Dutch artists to convey the poetry of everyday life, represent the textures of the manmade and natural worlds, portray vivid likenesses, and reinterpret history and mythology themes is evident in such paintings as Vermeer's A Lady Writing, Willem Claesz. Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings. Included in this volume are: an essay on attribution to Rembrandt and his school; an appendix of artists' signatures and monograms; and a summary of the technical notes resulting from examinations in the National Gallery's conservation laboratories using infrared reflectography and x-radiography.
Subjects
Topics
Places
Times
Genres
- Catalogs.
Series Statement
- The Collections of the National Gallery of Art systematic catalogue
Similar Books
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!